Rendezvous with Madness 2017 Review: Mad to be Normal The R.D. Laing biopic is painfully clichéd Chelsea Phillips-Carr
Rendezvous with Madness 2017 Review: The Blood is at the Doorstep A moving yet complicated depiction of police violence Chelsea Phillips-Carr
The Poetry of Apocalypse: The Films of Andrei Tarkovsky The first Toronto retrospective in 15 years comes to the Lightbox Chelsea Phillips-Carr
Review: Goodbye Christopher Robin Stuck between childhood charm and adult gravity, the film is lost Chelsea Phillips-Carr
Reelworld 17 Review: In Jesus’ Name: Shattering the Silence of St. Anne’s Residential School A necessary but incredibly difficult film to watch Chelsea Phillips-Carr
Reelworld 17 Review: Abu A unique perspective on the intersections of ethnicity, religion, and sexuality Chelsea Phillips-Carr
TIFF 2017 Review: Mademoiselle Paradis A historical biopic focused on images over drama Chelsea Phillips-Carr
Review: Our People Will Be Healed A straightforward depiction of de-colonization Chelsea Phillips-Carr