Aim for the Roses is far more focused and accessible than an especially odd opening would...
Oh those pretty faces. And poor actors. The Huntsman: Winter’s War isn’t exactly cringe-inducing, only because...
Author: Anthony Marcusa
Put aside execution, inventiveness, and storytelling – not that Star War: The Force Awakens doesn’t excel...
Musical biopics are remain a compelling watch, in no small part to the flawed and talented...
There are many manifestations of grief, so who are we to say how one may cope...
Just because Batman v. Superman is all over the place, just because it’s tenuously holding together...
There are a solid 60 seconds or so at the start of 10 Cloverfield Lane where...
An annual Yule tide tradition of debauchery and recklessness is coming to an end for three man-children stumbling into adulthood. In...
If the first part of The Hunger Games’ two-pronged finale is indeed a quiet, perhaps unnecessary beginning of a drawn out conclusion...
The moment when The 33, the new film five years removed from the miraculous true story on which it’s based, really steps up comes be...
A long and beautiful tracking shot welcomes back to the screen James Bond with vigor and...
Considering the political climate of North America at the moment, on the heels of a Canadian...
The incredulous meets the incomprehensible in The Last Witch Hunter, a meek-hearted mess of swords, sneers,...
There is a wonderful though not particularly important moment in the third act of Steve Jobs...
It’s only for so long that Victorian dresses, eerie houses, and the captivating faces of Tom...