Made in America is the perfect documentary for those who love big music festivals with tenuous...
It’s not as the filmmakers intended however, as The Purge: Anarchy is sloppy with its storytelling and weak-willed when it comes to...
Author: Anthony Marcusa
Richard Linklater’s masterful familial epic Boyhood spans 12 years, runs nearly three hours in length, and flies by in the blink of...
Within the film, it’s the rapid evolution of primates. On screen, it’s the apex of visual effects. In the crowd, it’s a re-sensitiza...
A larger-than-life figure is given an honest and bittersweet requiem in Life Itself, as the life and death of Roger Ebert is examine...
When endeavoring to create a documentary, inherit in the process is the possibility that something along the way can drastically cha...
The initial sharp edge and quirky wit of Words and Pictures, a tepid romantic comedy that in its onset finds a cocky English teacher...
The latest offering in the seemingly limitless subgenre of possession horror is better executed than it is written, as a familiar st...
There is a warming innocence to the trio of neighbourhood best friends seeking one last adventure before circumstances outside their...
The latest and longest installment in the gratuitous, bombastic series following transforming alien robots is the best one yet, but...
As the city continues to be swept up in World Cup fever, TIFF is offering their own international counter programming, as continuing...
Having kicked off Hot Docs this past year, The Internet’s Own Boy: The Story of Aaron Swartz is getting its much deserved wide relea...
Obvious Child doesn’t play coy. An opening monologue by Donna Stern, a late twenty-something comedienne, is indecent, vulgar, and hy...
The stage to screen adaptation of Jersey Boys is so faithful, so straight forward, one might forget that Clint Eastwood has enlisted...
That 22 Jump Street, the rather surprisingly hysterical sequel to a rather surprisingly successful reboot, is entirely self-aware an...