Review: The Snowman Tired and contrived, The Snowman brings nothing new to the murder mystery genre Simone Meier
Review: Happy Death Day Simple, familiar, but just refreshing enough to get by, Blumhouse has delivered another hit. Dani Saad
Review: 78/52 The brilliantly crafted 78/52 is more than just the careful deconstruction of a scene. Andrew Hamilton
Review: Goodbye Christopher Robin Stuck between childhood charm and adult gravity, the film is lost Chelsea Phillips-Carr
Reelworld 17 Review: In Jesus’ Name: Shattering the Silence of St. Anne’s Residential School A necessary but incredibly difficult film to watch Chelsea Phillips-Carr
Reelworld 17 Review: Abu A unique perspective on the intersections of ethnicity, religion, and sexuality Chelsea Phillips-Carr
TIFF 2017 Review: Mademoiselle Paradis A historical biopic focused on images over drama Chelsea Phillips-Carr
Review: Patti Cake$ There's nothing heartwarming about this mean-spirited tale of an aspiring rapper C.J. Prince
Review: Good Time The Safdie Brothers direct Robert Pattinson in his strongest - and wackiest - performance yet. Matt Hoffman
Review: Annabelle: Creation Annoyingly predictable and only somewhat effective horror Chelsea Phillips-Carr
Review: Atomic Blonde Dazzlingly stylish with none of the substance, Atomic Blonde fails to captivate beyond the pageantry. Simone Meier
Review: Valerian and the City of a Thousand Planets Overlong and underwhelming, Valerian is not the dazzling spectacle it should be Chelsea Phillips-Carr